Tamara Djurovic, who goes by the artist name Hyuro (previously), is wrapping up 2018 as arguably her most prolific year. With striking, diverse, and monumental murals painted everywhere from Brazil, Italy, and Spain to Belgium and The Netherlands, her output never looked more impressive and her aesthetics more distinctive.

Growing up in Argentina, Hyuro was attracted to murals at a young age. Buenos Aires has a long tradition of culture surrounding public space, and murals have always been an essential element. “[I’m] not sure in which moment I started to love it, or if it was always there,” she tells Colossal, “I think I could have never imagined the strong impact that working on public spaces had on me.”

What started with flat, often black and white imagery of simplified feminine figures evolved into intricate, highly painterly images that cleverly play with their surroundings and architecture. Without a particular theme to work within, Hyuro’s work is regularly focused on commenting and portraying the more complex side of human beings. She explores how our inner lives affect the relationships with have with ourselves, and how they are reflected in society.

The personal aspect of her work starts with her observations and concerns, continues through reference photos she creates for each piece, and then transfers onto passersby who observe the murals and create different interpretations of them. “I’m not interested in these subjects only from a representation perspective, but as well as a way to keep understanding and knowing myself and somehow try to understand, or digest better the world where we live in,” she explains […]

Source: Personal Complexities Explored Through Monumental Murals by Hyuro