MARCH 1, 2022. GRACE EBERT
In Dorothy Cross’s “Blue Dive,” a pair of feet with curled, spread toes breach a rugged fragment of vibrant stone streaked with white veins. The sculpture casts the Connemara-based Cork-born artist’s own extremities into a block of rare Brazilian sodalite, a nod to the fleeting nature of human time in comparison to the longevity and enduring qualities of Earth’s resources.
The rich, stone carving is just one anatomical piece in Cross’s solo exhibition titled Damascus Rose, which is open through April 14 at London’s Frith Street Gallery. […]