MARCH 31, 2022. GRACE EBERT
Through intricately woven displays of minuscule glass beads and rhinestones, Big Chief Demond Melancon continues a legacy. He belongs to the tribe of the Young Seminole Hunters in New Orleans, where he was born and raised, and is a leader in the tradition of creating Mardi Gras suits. The “wearable sculptures” are elaborate and celebratory, and Melancon’s works are known for their immense nature and for exhibiting his deft technical skill. Extremely labor-intensive, the garments tend to envelop their wearer in multiple layers and contain more than one million glass beads precisely stitched into evocative narratives of American history.
For nearly three decades, Melancon has also developed a unique visual language that is both entrenched in the 250-year tradition and working to expand the scope of the practice. “The elders, the Indians, and the Black maskers that masked before me, they never saw this as a contemporary art form in the way that I do,” he tells Colossal. “To me, the elders are watching me, and I think what they taught me is different from what I’ve evolved it into.”
Often encircled by feathers, many of Melancon’s suits revolve around portraits of reggae icons, people who were enslaved and subsequently led revolts, and Mardi Gras Indian Big Chiefs who came before him. He’s also started to separate these figurative elements from their more comprehensive counterparts in recent years and has produced an extensive series of standalone portraits. The ongoing collection includes people who have been influential in his life and who have broad cultural relevance, including artists like Basquiat and Frida Khalo, ancient Egyptian queen Nefertari, and Breonna Taylor, a 26-year-old Black woman killed by police in 2020. “I like to teach with my work, and I want to make something that’s very meaningful,” he says. “It’s going to tell you something. It’s going to hit you in your heart.” […]