FEBRUARY 8, 2024 KATE MOTHES
All images © Grace Gillespie
The layering possibilities of reduction printing inspired Grace Gillespie to play with color and complexity.
Grace Gillespie grew up in an artistic household, but she resisted pursuing visual art at first, especially printmaking, because it was something both of her parents excelled at. “I guess I wanted my own ‘thing,’” she tells Colossal, which for most of her twenties was music. Then, during the pandemic, she found herself furloughed, disillusioned with the music industry, and back at her parents’ home in Devon, England.
During her six-month stay, Gillespie had access to a large etching press belonging to her mother, artist Sarah Gillespie. “I decided to try my hand at linocut and was immediately very addicted!” the artist says. “I was also just incredibly lucky that (my parents) had a lot of old lino and tools lying around—a bit ancient and rusty, but they did the trick.”
Gillespie was initially drawn to flowers because at the height of the summer, they exploded in her parents’ garden. She found solace and energy in their variety of colors and textures. “I think that both this newly found love of gardens and plant life, plus the new world of printing, really saved me through some quite tricky times around the pandemic,” she says. “I had left music mostly behind, moved house, and realised I had an anxiety disorder all in the space of a few months, and printing really helped to pull me through and keep my brain inspired to create.”[…]
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