Artist and musician Steve Parker’s latest interactive projects invite viewers to feel the music⁠—literally. Activated by touch, “Ghost Box” plays randomized audio segments on a loop, including the ticks of Morse Code, the chorus of spirituals, and the blows of the shofar and Iron Age Celtic carnyx. Each time someone makes contact with a part of the wall sculpture, a new noise emits. Inspired by WWII era short wave radio, the mounted piece is constructed from a mix of salvaged brass, tactical maps, paper musical scores, wires, map pins, electronics, audio components, and an instrument case. The name even references the paranormal tool sometimes employed when people try to communicate with those who have died.

In line with “Ghost Box,” Parker created “Ghost Scores,” which is an ink on paper, pins, and electrical wire combination that mimics a music staff and markings, or visual language. In a statement about the project, the artist links the audio-visual work more explicitly to its history.

The Ghost Army was an Allied Army tactical deception unit during World War II. Their mission was to impersonate other Allied Army units to deceive the enemy. From a few weeks before D-Day, when they landed in France, until the end of the war, they put on a “traveling road show” utilizing inflatable tanks, sound trucks, fake radio transmissions, scripts, and sound projections.

The Austin-based artist’s audio-visual projects often combine real-time interactions with pre-recorded calls and music.[…]

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