In ‘Eyes on the Street,’ Photographer Jamel Shabazz Identifies the Boundless Culture of New York City’s Outer Boroughs | Colossal


APRIL 7, 2022. GRACE EBERT

“Man and dog,” Lower East Side, Manhattan (1980), C-print, 16 x 20 inches. All images courtesy of the artist

One of New York City’s most discerning and essential documentarians, photographer Jamel Shabazz has built a career around capturing the unique visual lexicon of the outer boroughs. His images are deeply empathetic and resolute in the value of all life regardless of race, class, and social status. With a self-described goal of preserving “the world history and culture,” Shabazz continually finds the joy and vibrancy emanating from communities like Brownsville, Red Hook, and Harlem.

“When two paths cross,” Fort Greene, Brooklyn (2012), archival pigment print, 16 x 20 inches

His first institutional survey, an expansive exhibition of Shabazz’s photos is on view through September 4 at The Bronx Museum. Eyes on the Streets contains more than 150 images from his extensive archive, some of which are shown for the first time. Distinctly rooted in place, the collection transcends neighborhood and time period, creating a rich, photographic mosaic of New Yorkers through the last four decades. The exhibition also speaks to current conversations around policing and alternatives by showing how tight-knit communities and street activity have long bolstered public safety.

Often recognized for capturing hip-hop culture and the fashions of the 1980s, Shabazz’s photos range from the stylishly posed to the candid and serendipitous. […]

“Rush Hour,” Brooklyn (1980), C-print, 11 x 14 inches

More: In ‘Eyes on the Street,’ Photographer Jamel Shabazz Identifies the Boundless Culture of New York City’s Outer Boroughs

About agogo22

Director of Manchester School of Samba at http://www.sambaman.org.uk
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