JANUARY 10, 2024 CHRISTOPHER JOBSON
Arne Bivrin, “Kiss of Death.” Animals Finalist. “I was sitting in a hide watching a heron stalking fish in the shallow water. I had my eyes on this heron and was ready when it caught the small fish. Most bird photographers like to capture the entire bird, whereas I enjoy tight portraits and details.”
Now in its fifth year, Close-up Photographer of the Year drew nearly 12,000 remarkable entries from photographers in 67 countries who explore macro marvels of the natural world. From a roly-poly isopod in Austria to sunlit lily pads in an atmospheric Mexican cenote, this year’s images portray a vast array of flora and fauna in incredible detail. Eleven categories ranging from animals and insects to underwater and intimate landscapes welcomed submissions that focus on a breadth of amazing scenes.
Csaba Daróczi, “The Bird of the Forest.” Animals 1st Place and Overall Winner. “In the winter of 2023, I took a lot of photographs in a forest close to my home in Hungary. I found something new to photograph almost every week, and I spent several days exploring ideas and perfecting techniques. Staying curious and open-minded led me to this hollowed out tree stump, which measured around half a metre in diameter. I carefully positioned my GoPro 11 camera inside the trunk and took a few shots. I was amazed by the results. After a few days, however, I decided the composition might be improved if I included an animal in the frame. So, I returned to the spot and placed a sunflower near the hole, which the mice and birds soon found.”
The competition’s overall winner is Csaba Daróczi, whose spectacular black-and-white capture of a bird in flight, taken from inside a hollow tree stump, presents a unique perspective of forest life.[…]
Simon Theuma, “Dreamtime.” Underwater 1st Place. “Like an intricate tapestry of the marine ecosystem, this image captures the relationship between a commensal shrimp and a mosaic sea star. Dreamtime Aboriginal art reminds us of the delicate balance that exists in the grand tapestry of our natural world—this ancient wisdom serves as an important reminder to preserve what we have. To capture this image, I needed to use a snooted strobe, which was set at an acute angle to the subject. This setup accentuated the depth and beautiful texture of the two organisms. Additionally, I enhanced magnification by using a +15 wet lens dioptre.”
Chris Gug, “Spirit of the Yucatan.” Plants Finalist. Looking through the drifting stems of lily pads in a Mexican freshwater cenote to the sky above
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