IRO Vol.1 : The Japanese Philosophy of Color and Imperfection


In English, the sky at dawn might simply be called “blue” turning into “orange.” In Japan, this fleeting transition has countless names.

Why did Japan give over 1,000 names to the colors of silence? In this video, we explore the profound philosophy behind Traditional Japanese Colors. From the forbidden aesthetics of the Edo period to the ancient “algorithm” of layering silk, discover how Japan didn’t just create colors—it captured moments before they disappeared.

We dive deep into:
The Coordinates of Memory: Why names like “Moegi” (Sprout Yellow) act as time capsules.
48 Browns & 100 Grays: The story of rebellion against luxury bans in the 17th century.
Kasane (Layering): The optical system of mixing light, long before digital design.
The Beauty of Fading: Why Indigo (Japan Blue) becomes more valuable as it ages.

“Name it. And it will live forever.”

Chapters:
00:00 The Nameless Gradient
01:19 Ⅰ. Archives of Memory
02:42 Ⅱ. 48 Browns, 100 Grays
04:22 Ⅲ. The Algorithm of Layering
05:36 Ⅳ. The Root of Nobility
06:55 Ⅴ. The Beauty of Fading
08:03 Ⅵ. Lost in Data
09:05 What Color Is Your Silence?

[Correction & Clarification on Color Codes] Regarding the hex codes for certain colors, please note the following standard definitions:
・Moegi-iro (萌黄色): Generally defined as #AAC200 (a vibrant yellowish-green).
・Tokiwa-iro (常磐色): Generally defined as #007B43 (a bright, deep evergreen). Due to referring to multiple historical sources during production, some inconsistencies occurred in the video. I appreciate the viewer who pointed this out, helping me improve the accuracy of this archive!

Image Credits & Archives:
“Keian Ofuregaki” (1649) – Courtesy of Waseda University Library
“Engishiki” (927) – National Diet Library Digital Collection
“Some-mono Choho-ki” – Edo-Tokyo Museum, retrieved from Union Catalogue Database of Japanese Texts

Note on History: While the specific origins of certain edicts like the “Keian-ofuregaki” are a subject of ongoing historical debate, the spirit of “Shashi-kinshi-rei” (sumptuary laws) and the people’s creative resistance through nuance remain a defining part of Edo period culture.

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About agogo22

Director of Manchester School of Samba at http://www.sambaman.org.uk
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