Set against a forest in shades of blue and white, a dark, twisted fairytale lines the entrance hall of the Catholic University of Uruguay. The three-story mural by David de la Mano is titled “Cosmos” and uses the Spanish artist’s signature silhouette figures and thin, branch-like lines to create a sinister narrative consumed by mystery and disorder: hybrid creatures escape down a stairwell, an army marches along the balcony, and myriad characters twist and flail in chaotic clusters.
Completed with the assistance of artist Andrés Cocco, the large-scale piece is derived from the shared etymological root of “university” and “universe,” which means a totality or everything that exists. “Cosmos” evokes Fernando Gallego’s 15th-Century painting of constellations and the zodiac that once cloaked a vaulted ceiling at the University of Salamanca library in de la Mano’s hometown, although this new iteration is devoid of stars. “It is a work full of mystery… There is my own iconography. There is the idea of migration, a constant in my work from years ago,” the artist says in a statement. “The stars were replaced by two forests. There is a dark forest that does not let you see, and there is a clear forest in which the light comes.”[…]