APRIL 25, 2024 GRACE EBERT
Arctic Sea Travel Diary.” All images © Elsa Guillaume
Whether capturing the sights of a dive in the remote Mexican village of Xcalak or the internal mechanisms of a sailing ship, Elsa Guillaume’s stylized sketchbooks record her adventures. Glimpses of masts, a kitchen quaking from shaky seas, and a hand gutting a fish create a rich tapestry of life on the move. “Daily drawings (are) a ritual while traveling,” she tells Colossal. “It is a way to practice the gaze, to be attentive to any type of surroundings. I believe it is important to train both eyes and hands simultaneously, and regularly.”
The Brussels-based artist’s frequent travels provide encounters and research opportunities that fuel both her work and devotion to the beauty and wonder of the sea. In fall, she explored the arctic aboard the Polar POD, and she’s currently sailing on a 195-meter container ship called the MARIUS for a residency with Villa Albertine. The vessel launched this month from Nouméa in the South Pacific and will travel the Australian east coast, New Zealand, and the Panama Canal before docking in Savannah, Georgia, in May.
During the six-week journey, Guillaume plans to continue her daily drawings and create a vast repository of ocean life. “It gives space and time to discover and observe an all-new environment to me, the merchant marine,” she says. “How human beings either explore, travel, or exploit the ocean has always been a very strong source of inspiration to me.” […]
“Thinking About the Immortality of the Crab” (2022). Photo by Jérôme Michel
