OCTOBER 21, 2021. GRACE EBERT
What begins with a calm morning filled with stunningly bright sunlight quickly morphs into a short film of existential crises and the life-altering implications of climate disasters. Directed by Frédéric Even and Louise Mercadier with production by Papy3D and JPL Films, “Sororal” is a profound stop-motion animation that follows three sisters as they react to warnings about the sea submerging the land. The trio has incredibly varied and relatable responses, with Madeleine instantly consumed by panic, Emilie forming a mystical bond to the water, and Anna approaching the situation with extreme apathy.
“Sororal” presents the siblings’ reactions to the impending flood as physical manifestations: Because Madeleine and Anna resist accepting the news, their bodies become hard and brittle and form crusty, salt-laden scabs (these scenes are slightly graphic and use nude figures). Emilie, on the other hand, remains flexible and unscathed.
In a conversation with the animation publication Skwigly, Even and Mercadier share that they first digitally rendered the puppets before 3D printing them in resin. The sisters’ faces are inspired by French Gothic and Asian art forms of the 12th Century, and their bodies leave the black annealed wire armature visible, a decision the filmmakers explain:
We didn’t want to hide that they were puppets, to be realistic and give them the appearance of flesh and blood characters. We found that seeing the mouth replacement lines and the joints in their hands help make them fragile and touching and although the distance is established with a being of flesh and bone it creates more empathy than with more realistic representation. We feel that they can break. We feel the precariousness of their construction. They appear all the more disarmed in the face of the immense wave which threatens them.
“Sororal” features dialogue entirely in French, so be sure to click the CC button to turn on English captions. […]