Este vídeo está no DVD anexo ao livro “Ritmos e Batucadas: as baterias das escolas de samba de Florianópolis” (2015), do autor André Felipe Marcelino.
Este vídeo está no DVD anexo ao livro “Ritmos e Batucadas: as baterias das escolas de samba de Florianópolis” (2015), do autor André Felipe Marcelino.
I wonder if those metal drums developed from the same kind of metal cans as in the Caribbean. These percussion instruments are really creative.
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Maybe inspired by Trinidadians? This site tells me the surdo was invented by Alcebíades Barcelos (Bide) from Estácio de Sá (also currently one of the Premier League Samba Schools), in Rio de Janeiro in 1928 for the parade of the first samba school “Deixa Falar {“Let Them Speak”} the original name for Estácio, and consisted of a wooden barrel with the top and bottom replaced with hide. They only replaced the wood with aluminium in later models because it was considerably lighter!
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Sorry the site address didn’t appear http://www.todosinstrumentosmusicais.com.br/preco-do-instrumento-surdo.html
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O.K., thanks a lot! It must have changed the sound quite a bit – from wood to aluminium.
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Not that much really (we have both types) until your knee dents the aluminium shell and it has to be panel beaten back into shape. It ‘s always a bit rattly after that, whereas the wooden shell can be restored to complete functionality by a skilled carpenter (as we have found out many times). But metal shells seem louder…
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Thanks for explaining!
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