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Category Archives: Art
In Craig Walsh’s ‘Monuments,’ Enormous Projected Portraits Illuminate the Selective Histories of Public Art | Colossal
AUGUST 31, 2022. GRACE EBERT Charlotte’s Descendents (2022) for Charlotte SHOUT! All images © Craig Walsh In the mid-nineties, Australian artist Craig Walsh created his first projection at Woodford Folk Festival in Queensland. Made with photographic slides, the massive installation temporarily transformed … Continue reading
Several Layers of Glaze Finish Mia Alajasko’s Ceramic Octopuses with Colorful Textures | Colossal
AUGUST 29, 2022. GRACE EBERT All images © Mia Alajasko, Tentacles speckled with glaze and bulbous suckers support the bodies of Mia Alajasko’s ceramic mollusks. From her backyard workshop in Onsala, Sweden, the artist sculpts squids and octopuses that stand upwards … Continue reading
“Like Ah Boss” / BP Renegades Steel Orchestra / International Panorama Competition
BP Renegades rehearses on the “Drag” minutes before they took to the Queen’s Park Savannah stage at the International Panorama Competition, held in Trinidad & Tobago on August 9th, 2015. They are seen here playing Machel Montano’s “Like Ah Boss”, … Continue reading
Invaders Steel Orchestra / “Hookin’ Meh” / Panorama Preliminaries 2019
Invaders Steel Orchestra performs for the judges at the Queen’s Park Oval, for the Trinidad and Tobago National Large Bands Panorama Preliminaries held on the 12/02/2019 (dd/mm/yyyy). They played “Hookin’ Meh” composed by N. Batson, E. George, M. Hulsmeier, S. … Continue reading
Hazy Water Veils Vibrant Bouquets in Mystery in Robert Peek’s Photographs | Colossal
AUGUST 29, 2022. GRACE EBERT All images © Robert Peek Fresh flowers emerge through a smoke-like substance in the eerie images of Netherlands-based photographer Robert Peek (previously). Arranged in bouquets of a single species, the lifeforms adopt a more mysterious quality, which … Continue reading
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A Nearly 500-Page Monograph Chronicles Three Decades of Olafur Eliasson’s Practice | Colossal
AUGUST 25, 2022. GRACE EBERT “The weather project” (2003), monofrequency lamps, projection screen, haze machines, foil mirror, aluminum, scaffolding, 26.7 x 22.3 x 155.44 meters, installation view at Tate Modern, London. Photo by Tate photography, Andrew Dunkley & Marcus Leith … Continue reading
