Animals Balance Precariously and Greet Each Other Across Voids in Banksy’s New Murals | Colossal

AUGUST 7, 2024 KATE MOTHES

Mountain goat near Kew Bridge, Richmond upon Thames. All images © Banksy

Renowned street artist Banksy has created a series of small murals around London that many perceive to be directly related to recent riots.

In the U.K., thousands of police remain on standby as a series of riots instigated by far-right supporters have escalated during the past week. The unrest that erupted last Tuesday was spurred by a senseless act: the murders of three children in a dance class in Southport, on the west coast of England, also left eight other children and two adults critically injured. Violence broke out in Southport, then spread quickly to other cities, culminating in assaults on police and racially-motivated attacks on hotels housing asylum seekers.

Elephants in Chelsea

Renowned street artist Banksy (previously) has created a series of small murals around London that many perceive to be directly related to the riots. Completing one each day, the animals emerge as part of a broader practice in which the artist installs one piece daily during a period of time. While the anonymous artist rarely explicitly describes the meaning behind specific works, various interpretations are often implied in relation to current events and social, economic, or political agendas.

Monkeys on a bridge over Brick Lane near Shoreditch High Street

Through his characteristic use of metaphor, Banksy perches a goat precariously on a high elevation as rocks crumble at its feet. While it maintains its balance, the creature may represent the fragile state of U.K. society and criticism about scapegoating or blaming particular groups, especially in regard to race, during periods of unrest. Surveillance, a critical theme in Banksy’s work, appears here in the form of a CCTV camera that has been turned away from the street and trained on the goat.

Two additional installations, including a trio of swinging monkeys and a pair of elephants greeting one another across a void, reference the “wilderness” of the moment and the importance of coming together rather than allowing tensions to erupt. Find more on Banksy’s Instagram.

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More: Animals Balance Precariously and Greet Each Other Across Voids in Banksy’s New Murals — Colossal

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How beautiful.

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Are We Living in Non-Places?

Our world has proliferated non-places for atomised people and we are socially malnourished as a result. What must change so that we can build new spaces, reestablish our lost connections, and reclaim our right to the city?

Introduction – 0:00
What is Supermodernity? – 2:28
What Are Non-Places? – 4:13
Third Places & The Right to the City – 8:16
Conclusion – 11:03

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Simone Biles & Jordan Chiles Celebrate Rebeca Andrade at Olympic Podiums

This is what sportsmanship looks like!

Simone Biles has been at the center of many stories during her 2024 Paris Olympics run, from shutting down negative comments to her becoming the most decorated U.S. Olympic gymnast in history. But during her final competition, she stepped to the side and paid her respects to her fiercest competitor in an outstanding display of sportsmanship.

Despite her best attempts, Biles placed second during the women’s floor exercise final. The gold medal went to Brazil’s Rebeca Andrade, who won just fractions of a point ahead of Biles. In a heartwarming gesture, Biles and Jordan Chiles, who came in third place, bowed for Andrade when she stepped onto the podium to receive her medal. The Brazilian gymnast raised her fists to celebrate her victory, before grabbing her competitors hands as a way to thank them.

Biles’ action trascended the language barrier that has marked her interactions with Andrade throughout the Olympics. Since Andrade speaks Portuguese, it has been reported that their exchanges have been limited to giggling, enthusiastic nodding, and hand gesturing. By bowing to Andrade, Biles and Chiles reminded the world that sportsmanship is a universal language.

“I have so much respect for her. She’s such a good competitor,” Biles said about Andrade after the medal ceremony. “She keeps me on my toes. It’s an honor to get to compete with her.”

Andrade has had many obstacles on her way to Olympic glory. Born in a favela, her mother worked as a maid to provide for her and her siblings. When her mother couldn’t afford to pay for her daughter’s bus ticket to practice, Andrade and her older brother walked two hours each way to get to her gym. More recently, she overcome adversity after tearing her ACL three times. She is now Brazil’s most decorated Olympic athlete, having won four medals—one gold, two silver, and one bronze—in Paris 2024.

On top of the formidable scene, the three athletes also made history. Rebeca Andrade, Simone Biles, and Jordan Chiles made up the first-ever all-Black podium in men’s or women’s gymnastics at the Olympics. Just days before, Andrade, Biles, and Suni Lee made up the first all-around gymnast podium to be comprised entirely of people of color. […]

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Thomas de Pourquery – The Rhythm Changed

The Rhythm Changed.
Unscripted and entirely improvised, with each member of the cast bringing their own vibrant narrative and persona.

Massive shout out to all crew and cast.

Thomas de Pourquery ‘The Rhythm Changed’
Author & composer, keyboards: Thomas de Pourquery @thomasdepourquery
Bass: Sylvain Daniel
Drums: David Aknin
Producer: Benjamin Lebeau

Artistic Director & Artist Manager: @manubarron63
Artistic Consultant: Julien Lacroix @julienlacroix1
Artist Stylist: Emily Orta @emlyorta
Label: Animal63 @animal63music

Production Company : @hamlet.tv
Director : Ludovic Gontrand @ludo_gontrand
Executive Producers : @clement_martorell @rubengoots @jjfelstead
Producer : Alexandre Bauer @cocobauer_
Production Manager : Oona Van Cauwelaert @path_of_gypsies
Production Intern : Peter Lanssens

1st Ad : Malko Vandenborre
Dop : Carlos Feher @carlosfeher
Focus Puller : Jules Koechlin @juleskoechlin
Clapper Loader : Camilla Bispo
Gaffer : Bob Wouters
Electrician : Nathaniël Van Ouystel
Key Grip : Max Van Den Abeele
Art Director : Jérôme Daenens @jeromednens
Sfx : Simon Cokes
Animal Handler : Femke Gebruers – Tails
Stylist: Oemer Khan @oemerkhan
Assistant Stylist : Zoë Coopman
Make Up : Karen @ No Babes
Casting Director : Louis Pons @casting_le_quartier
Casting Agency : Le Quartier / No Babes
Location Manager : Kevin Tieku
Catering : Raf Verstraete
Post producer : Léa Török @lea.trk
Editor: Olivier Gajan – Cutaway @cutaway.tv
Assistant Editor : Lucas Mary
Colorist: Nicolas Gautier @nico_gautier_colorist
T2T Colorist: Mafe @mafe.rt
Assistant colorist : Lucas Couvain
Clean: Nathan Grosshans
Photographer: @nicolas.pr4do

CAST:

Erik Van Den Bosse
Guay Baldant @guay
Hendrick Ntela @hendrickxntela
Io Marievoet @io.marievoet
Jasper Coremans @ramsenco
Joost Broucke
Lief Weuts @liefweuts
Louis Junior Akwety
Moran Miangue @morane_miangue
Pommelien Van Hees @pommelien
Seppe Vanthorre @torsoft
Thijs Lambert
Valentin
Brandon Likiyo
Karel Declercq
Noëlla Capodici
Ronald Leclercq
David Mutamba
Urte Groblyte @urte
Samuel Chan @samuel_chan___
Mamadou Tandia
François Nabos
Anne-Élodie Sorlin

Special thanks to:
Jean Szente
Orage Studio @orage_studio
Line & Monique

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Our DARKEST Day

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800-year-old stave church made entirely from wood without a single nail, Norway.

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A Thread on Amazing and Surreal Sculptures and Statues

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The crowd went crazy..

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Thread of cool maps you’ve (probably) never seen before

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