23 Apr 2026
New Zealand has reintroduced 300 Kiwis into the wild, transforming the island in an incredible way. Discover how this massive conservation effort is changing the ecosystem and giving these iconic birds a second chance. Don’t miss the incredible story of nature’s comeback!
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Tibees tagged products below. Learn more
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17 Apr 2026 Science Quickly Podcast With Rachel Feltman
Birds are the only dinosaurs who managed to survive the asteroid impact that wiped out 75 percent of all species 66 million years ago. But how did they pull it off? To get some answers, host Kendra Pierre-Louis speaks to paleontologist Steve Brusatte, author of the upcoming book The Story of Birds: A New History from Their Dinosaur Origins to the Present. Their conversation traces the incredible evolutionary journey of modern birds and explores what these animals’ survival story can teach us today.
Recommended Reading;
How birds survived the dinosaurs’ doomsday https://www.scientificamerican.com/ar…
The Story of Birds: A New History from Their Dinosaur Origins to the Present, by Steve Brusatte. Mariner Books, April 28, 2026 https://www.harpercollins.com/product…
E-mail us at sciencequickly@sciam.com if you have any questions, comments or ideas for stories we should cover!
Discover something new every day. Subscribe to Scientific American: https://www.scientificamerican.com/ge…
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Science Quickly is produced by Kendra Pierre-Louis, Fonda Mwangi, Sushmita Pathak and Jeff DelViscio. This episode was edited by Alex Sugiura, with fact-checking by Shayna Posses and Aaron Shattuck. Our theme music was composed by Dominic Smith.
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“PLOT” (2024). Photos by Grégoire d’Ablon. All images courtesy of the artist
Building sites and agricultural areas are typically described by the utilitarian operations that shape them—rugged, harsh, and often back-breaking. They are spaces that resist softness, built quite literally around force and tension. Artist Pia Hinz flips this idea on its head as she explores the conceptual and material relationship between strength and vulnerability.
Living and working between Ardèche, Amsterdam, and Arles, France, Hinz has been working with stained glass for the past three years. She focuses much of her work on objects that one might find in environments of labor, such as construction or farming. Her sculptures take on an array of recognizable forms including hammers, screws, traffic cones, tractor doors, scythes, rope, and more. […]
“MARTEAU” (2024)
untitled (2025)
More: https://www.thisiscolossal.com/2026/04/pia-hinz-stained-glass-sculptures/
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