Why are you a nincompoop? | INSULTS

In this episode, Jess and Rob sling some mud as they explore the etymology of insults.
🐳 Does “dork” mean what people say it means?
đŸ€Ź Which was Shakespeare’s rudest character?
🍆 What exactly is a “plonker”?
These dastardly questions answered – and many more – in another Words Unravelled!

👂LISTEN: https://podfollow.com/words-unravelle…
or search for “Words Unravelled” wherever you get your podcasts.
📕JESS’S BOOK: https://tr.ee/Ghw8DYkqBh
👕 ROB’S MERCH: https://robwords.myspreadshop.com/

==LINKS==
Rob’s YouTube channel: / robwords
Jess’ Useless Etymology blog: https://uselessetymology.com/
Rob on X: x.com/robwordsyt
Jess on TikTok: tiktok.com/@jesszafarris

#etymology #wordfacts #Insults

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The Home Studio of the Late Artist L.V. Hull Is Added to the National Register of Historic Places | Colossal

August 29, 2024
Art Film History
Grace Ebert

L.V. Hull at her home in Kosciusko, Mississippi, in 2002. Photo by Bruce West. All images courtesy of the L.V. Hull Legacy Center

Kosciusko is a small town in the center of Mississippi with just under 7,000 residents. Known as the birthplace of Oprah Winfrey, Kosciusko was also home to the late artist L.V. Hull (1942–2008) who devoted her life to painting and assembling found objects. Tires, shoes, perfume bottles, sticks, and the random items friends and neighbors gifted her quickly became vibrant sculptures awash in her signature polka dots and eventually went on display in her house or yard.

Just this month, Hull’s home studio was added to the National Register of Historic Places. The groundbreaking designation makes the residence the first of an African American woman visual artist to be recognized nationally and the first home art environment of any African American to be listed on the National Register.

Hull’s yard in 2002. Photo by Bruce West

Hull purchased the property 50 years ago, on August 12, 1974, for $7,000. She had been an artist since childhood, making figurative sculptures from mud and later, painting any object she could find. After buying her home in Kosciusko, she began working on the art environment in earnest.

“When I started decorating the yard, I wanted to do something that somebody else wasn’t going to do,” she said in a 1997 interview with William Arnett, who founded the nonprofit Souls Grown Deep. “I waited until folks went to sleep and dragged the tires from behind their houses. I didn’t want nobody to see me ’cause I didn’t want to hear the stuff they would say about me.”

Hull’s home in 2002. Image courtesy of the Mississippi Arts Commission

But whatever her neighbors thought didn’t bother Hull. She leaned into her eccentricities and referred to herself as the “unusual artist.”

More: The Home Studio of the Late Artist L.V. Hull Is Added to the National Register of Historic Places — Colossal

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This 800 years old church in norway is made entirely of wood, without a single nail. (circa. CE.13th century)

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The moon : same time, same place, 28 days.

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Ashley Suszczynski (@maskedtraditions) | Survakari, Elovdol village, Zemen Municipality, Pernik District, Bulgaria, 2024

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Across Rural Europe, Ashley Suszczynski Photographs Remarkable and Ancient Masked Traditions | Colossal

August 26, 2024
Art Craft History Photography
Kate Mothes

“Survakari,” Dolna Sekirna Village, Breznik Municipality, Bulgaria. All images © Ashley Suszczynski

As a child, Ashley Suszczynski used to draw copiously in her school notebooks and escape into the chimerical worlds of books. “I loved the imaginative illustrations,” she tells Colossal. “Each story sent me into a new world, and I kind of dissociated from my own
 Every page was full of magic and mystery—an immersive adventure into lands of mythical monsters, talking animals, the weird and the wonderful.”

The fascination with legends and supernatural creatures persisted into adulthood, forming the basis of Suszczynski’s love for photography, folklore, and cultures around the world. “Several years ago, I learned about a masquerade in the north of Spain called La Vijanera,” she says. “The characters looked like those I had imagined from the pages of my childhood stories.” Anthropomorphic, fur-covered creatures met tree nymphs and spirits of the woodlands, all enrobed in remarkably elaborate handmade costumes.

“Startsi,” Voynyagovo Village, Karlovo Municipality, Plovdiv Province, Bulgaria

Suszczynski delved into further research about European masking rituals and rites, learning about the range of characters, history, and symbolism unique to each tradition. Festivals throughout the continent often centered on common themes, like the cycle of the seasons, life and death, or fertility, while expressing themselves through distinctive costumes. “It seemed as though every tiny village had their own unique ancient rituals that were still thriving in our modern society,” she says.

Language barriers are often the primary obstacle Suszczynski encounters as she travels around the world to meet those who preserve their local customs. In small, rural communities, people often only speak their native language. “There isn’t really any information on the internet about these groups,” she says. “Finding them is always like a treasure hunt. Sometimes I would just drive to a village, go to their town hall with my phone, and Google Translate to the mayor, asking if they had masks there. The townspeople were extremely helpful; they’d often organize the village group with only a day or two notice.”

Some of the characters Suszczynski meets in her ongoing travels include the Bulgarian Kukeri, variations on which may be called Startsi or Chaushi, among others. Elaborate headdresses and costumes made from wool, animal horns, embroidered fabric, bells, and other ornaments invoke the mystical power to usher in new seasons and scare away evil spirits. […]

“Harramacho,” Navalacruz, Avila, Spain

More: Across Rural Europe, Ashley Suszczynski Photographs Remarkable and Ancient Masked Traditions — Colossal

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Kotoku Wamura, mayor of a Japanese village called Fudai, was mocked for spending billions of public funds on a floodgate…

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Surprising amount of dirt in this little entry rug

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18 The History of Utopia Lecture

If one considers political science as the scientific background against which the fantastic claims plausibility, utopian fiction is the first tributary of the river of science fiction. By examining key works, such as Plato’s Republic, Thomas More’s Utopia, Francis Bacon’s New Atlantis, Jonathan Swift’s Gulliver’s Travels, Samuel Butler’s Erewhon, Edward Bellamy’s Looking Backward, and William Morris’s News from Nowhere, we can see that utopianism has developed in four large historic movements corresponding to changing conditions of material production and religious belief. In the 20th century, the grim archetypal utopia is Yevgeny Zamyatin’s We, a critique not only of the Soviet state but of the relentless mechanization of society. Like all fictional utopias, it is less a practical blueprint than a philosophical challenge. Artistically, that challenge was engaged by such works as Aldous Huxley’s Brave New World, George Orwell’s Nineteen Eighty-Four, and Anthony Burgess’s A Clockwork Orange.

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Why Perfect Societies ALWAYS Fail

Utopias in sci-fi are always dystopias. But why? Let our sponsor BetterHelp connect you to a therapist who can support you – all from the comfort of your own home. Visit https://betterhelp.com/beghast and enjoy a special discount on your first month. If you have any questions about the brand relating to how the therapists are licensed, their privacy policy, or therapist compensation model, check out this FAQ: https://www.betterhelp.com/your-quest…

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Chapters:

0:00 1. What We Call “Paradise”
4:05 2. Where All Live Safely And Without Fear
8:30 3. Where Any Passions and Dreams Can Be Pursued
15:17 4. Where Everyone Has a Place, And All Are Welcome

Sources: https://docs.google.com/document/d/e/…

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