Bassoonist Amy Harman and concert pianist Nicholas McCarthy are the studio guests of Jeffrey Boakye and Anna Phoebe as they add five more tracks. Kicking off with an internationally famous track written in Ostend in Belgium, they end up in a gravel pit via a ticking clock or two.
Producer Jerome Weatherald
Presented with musical direction by Jeffrey Boakye and Anna Phoebe
The five tracks in this week’s playlist:
Sexual Healing by Marvin Gaye
Clocks by Coldplay
The Clock (the 2nd mvt) from Symphony No 101 in D Major by Haydn
Precipitato (the 3rd mvt) from Piano Sonata No 7 in B Flat Major by Prokofiev
Gravel Pit by Wu-Tang Clan
Other music in this episode:
Etudes: Op 8 No 12 in D-Flat Minor by Scriabin, played by Nicholas McCarthy
Piano Concerto for the Left Hand in D-Major by Ravel, played by Nicholas McCarthy
On the Road Again (Live) by Willie Nelson
Who’ll Buy My Memories by Willie Nelson
Impulse by Hans Zimmer
Lux Aeterna by Clint Mansell
Nautilus by Anna Meredith
It’s a Man’s Man’s Man’s World by James Brown
Da Mystery of Chessboxin by Wu-Tang Clan
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East Quay Arts Centre by Invisible Studio
Perched along the harbour wall in the coastal town of Watchet, East Quay Arts Centre by Invisible Studio is a cultural project that transforms a modest stretch of waterfront into a vibrant platform for art and creativity. Conceived as a centre for exhibitions, workshops, and artist residencies, the building brings new life to the historic harbour while remaining deeply rooted in the character of its maritime surroundings. The architecture embraces the working identity of the quay, presenting a collection of forms that feel both playful and purposeful against the backdrop of sea and sky.
The composition of the building draws inspiration from the informal structures that traditionally populate harbours — small sheds, workshops, and storage huts that accumulate over time along the water’s edge. Rather than replicating these forms directly, Invisible Studio interprets them through a series of carefully arranged volumes that appear to perch lightly on the quay wall. The resulting cluster of structures creates a varied roofscape and shifting silhouette, giving the centre a sense of spontaneity while maintaining a clear architectural coherence.
Colour and material play an important role in defining the project’s identity. Corrugated metal cladding, finished in a palette of vivid tones, contrasts with the weathered stone of the harbour infrastructure and the muted hues of the surrounding landscape. This bold visual language reflects the creative energy of the centre while ensuring the building remains legible within the wider harbour setting. Internally, the spaces are deliberately robust and flexible, designed to accommodate exhibitions, community events, and educational programmes with ease.
Extending outward from the harbour wall are a series of small artist accommodation pods — perhaps the project’s most memorable feature. These compact rooms project over the water, offering visiting artists a unique vantage point across the Bristol Channel and an immersive connection to the landscape. In bringing together architecture, art, and coastal context, East Quay Arts Centre demonstrates how thoughtful design can catalyse cultural life, transforming a working harbour into a place of reflection, creativity, and exchange.
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Credits:
Film Produced by Jim Stephenson & Sofia Smith
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Visit: https://www.invisiblestudio.org/
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