Number of Cyclists Now Outnumber Car Drivers in Paris | My Modern Met

By Madeleine Muzdakis on April 16, 2024

Photo: ENCRIER/Depositphotos

This is a big win for the environment and the public’s health.

Paris is famous for its architecture, art, fashion, and food. For locals, life involves much more mundane aspects of the urban center, such as long commutes and errands. These can be done by car, moped, bike, or public transport. A recent study and subsequent report by L’Institut Paris Région, released in April 2024, suggests the Parisian commute is becoming more eco-friendly. The most recent numbers demonstrate that cyclists now dominate the Parisian streets, sidelining emission-producing cars in city life. The research was desired by academics, corporations, and government alike.

Photo: ARTAVET/Depositphotos

Paris is a bustling city, especially when considering the larger metropolitan and suburban areas in what is known as Île-de-France. Monday to Friday, 34.5 million trips occur within this region. About 39% of trips in the region are work-related, and 40% are people traveling between their own communities and those surrounding them. The researchers tracked these patterns using GPS trackers. Over the period between October 2022 and April 2023; 3,337 Parisians between the ages of 16 and 80 years old volunteered to tote trackers as they bopped around the region for seven days. The resulting data was uplifting for environmentalists and advocates for carless cities. […]

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Perrotin Gallery (@perrotin) |  Chiffon Thomas’s first solo exhibition in France

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Raphael Gamo   |  Perrotin Gallery 

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Ivan Argote Demands to Know “Who?” in His Enigmatic New Sculpture in Bruges | Colossal

APRIL 15, 2024 KATE MOTHES

Photos by Filip Dujardin. All images © Ivan Argote

A striking bronze sculpture titled “Who?” by Ivan Argote appears as if an 18th-century statue has been shorn at the knees.

A pair of sizable bronze boots have paused in a Bruges canal, the whereabouts of their owner unknown. The striking bronze sculpture titled “Who?” by Ivan Argote appears as if an 18th-century statue has been shorn at the knees, inviting speculation about the wearer’s identity.

Argote’s work references the toppling of monuments depicting those with ties to colonialism, seen today as memorializing dark legacies of human enslavement, violence, and abuses of power. Belgium has a long and brutal colonial history, primarily in Africa. “Monuments are scars in our cities and memories, often telling us of a history of dominations and humiliations,” the artist says. “It is up to us to reclaim the right to create new narratives and heal the wounds of our violent histories.”

“Who?” is part of Triënnale Brugge, which continues through September 1. Argote will also present an outdoor sculpture in the Giardini for the 60th Annual Venice Biennale. […]

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Sissay Lemn (@sissaylemn) • Instagram photo

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James Lucas @JamesLucasIT | 4h Photos that don’t look real but are – thread 🧵

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It’s closer to a British carbonara 🤣🤣🇬🇧 #shorts #reels #funny #viral

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