By Mia Santarelli on April 25, 2024
Through her art, Sophie Green depicts the grandeur, beauty, and intensity of animals.
UK-based artist and environmentalist Sophie Green paints remarkable stories of wildlife. Known for her hyperrealistic paintings of animals, Green’s quasi-photographic style captures the vulnerabilities of nature. The artist depicts the grandeur, beauty, and intensity of animals such as guerrillas, leopards, rhinoceroses, penguins, and other species at risk of extinction.
“This is not a celebration of nature,” says Green of her most recent collection, Commodities.“This collection is wildlife void of both ‘wild’ and ‘life.’ It is an inferno, shining a light on the bizarre and entitled way that humans have forever used nature and wildlife for our own benefit. Hunting, racing, bating, fighting, breeding, eating, poaching, wearing, training. The avarice is never-ending.” […]
More: Artist’s Hyperrealistic Paintings Capture the Beauty of Wildlife
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APRIL 23, 2024 KATE MOTHES
Photo by Joana Linda. All images © Ernesto Neto, courtesy of MAAT
An enormous, cascading installation of crocheted fabric strips stretches across a cavernous gallery in Ernesto Neto’s newest exhibition. At MAAT in Lisbon, the Brazilian artist (previously) presents Nosso Barco Tambor Terra, which translates to “our boat drum Earth,” a solo exhibition encompassing one of the largest suspended sculptures he has ever made.
Created with a team of assistants in his expansive Rio de Janeiro studio, the new piece draws on images of sails and maritime materials like canvas and rope. Neto nods to the history of transatlantic voyages between Europe and South America, stitching remnants of bright chintz, common in Brazil, into a swathe of fabric punctuated by points of interest like a vessel full of decorated drums or corn kernels, a symbol of international trade. Historically, the percussive instrument kept a rhythm for the galley rowers, some of whom would have been enslaved people.
Photo by Joana Linda
Suspended from the ceiling, the central work in Nosso Barco Tambor Terra adopts a cell-like structure, with numerous colors and patterns that intertwine, drape, stretch, and overlap. The piece suggests “a ship, a primordial beast, a forest, or even, and more likely, all of those things and infinite others,” writes curator Jacopo Crivelli Visconti in the exhibition text. He emphasizes that Neto portrays the world as a whole, defining the earth as “ancestral, pre-colonial, and even pre-human.”
The artist considers the dark legacies of enforced displacement and slavery during colonial rule, which the Portuguese implemented in Brazil. He situates the work as celebration of the planet’s array of people, cultures, and “worldviews whose strength and beauty one must recognise, reaffirm,” Visconti says. Amid destruction and chaos, Neto’s ark-like vessel envisions a way to propel the whole world forward.[…]
Photo by Paulo Schettino
