Luisa Jung
People immersed in chaos try to solve for what it all adds up to.
Prologue
A scientist who is used to organizing data starts tracking scientific meetings that seem to exist only on paper—meetings that might decide the fate of years of research. The NIH website shows one reality; the empty conference rooms tell another story. She graphs the chaos. (9 minutes)
We first heard about Annika Barber in a story by Stephanie M. Lee for The Chronicle.
By Chana Joffe-Walt
[…]
Whole program: Chaos Graph – This American Life
May 12, 2025
Art
Nature
Kate Mothes
“Torn Spin” (2025). All images courtesy of the artist and Hashimoto Contemporary
Gregory Euclide’s mixed-media collages explore nature through the lens of human experience.
Smeared, flattened, and rough around the edges, Gregory Euclide’s mixed-media collages explore nature through the lens of human experience. Organically meandering outlines suggest shallow reliefs; foraged prairie botanicals complement human-made materials; and abstracted landscapes emerge from drawings, photographs, ripped paper, paint, and more.
“The artist tears and layers these elements to build a new pictorial space which more accurately resembles the way he takes in the land,” says a gallery statement for Assembled Lands, Euclide’s solo exhibition opening later this week with Hashimoto Contemporary.
“Torn: Double Sun” (2025)
Breaking down his observations of nature into its fundamental parts, Euclide merges overviews of trees, shrubs, meadows, and the horizon with the intimate details of leaves or branches. One might approach his subject matter through the lens of the Anthropocene, which describes our present era of accelerating changes to the environment due to humans’ unrelenting impact.
Each collage (previously) merges recognizable forms and terrain with abstract shapes and compositional spirals or whorls. […]
“Torn: Forest Silhouette” (2025)
More: Gregory Euclide Explores the Anthropocene in Verdant Mixed-Media Collages
