msamba

July 31, 2025
Art
Social Issues
Kate Mothes

“Untitled” (2009), acrylic on PVC panel, 155.3 x 185.1 centimeters. Yale University Art Gallery, Purchased with the Janet and Simeon Braguin Fund and a gift from Jacqueline L. Bradley, B.A. 1979. © Kerry James Marshall. ‘Kerry James Marshall: The Histories’ is organized by the Royal Academy of Arts, London, in collaboration with the Kunsthaus Zürich and the Musée d’Art Moderne, Paris. All images courtesy of the Royal Academy of Arts

Drawing upon art historical sources, contemporary culture, and comics, Kerry James Marshall vibrant paintings boldly challenge the past. Through often monumental portraits of Black figures, the Chicago-based artist (previously) delves into themes of race, identity, legacy, and representation to bridge history and the present and imagine a better future.

In the largest survey of the artist’s work ever presented outside of the U.S., the Royal Academy of Arts hosts Kerry James Marshall: The Histories. Organized in collaboration with Kunsthaus Zurich and the Musée d’Art Moderne, Paris, the exhibition opens next month and features more than 70 works that span the artist’s career thus far. The show also includes a monumental oil painting commissioned for the Chicago Public Library titled “Knowledge and Wonder,” which is on loan for the first time.

“The Academy” (2012), acrylic on PVC, 182.9 x 154.9 centimeters. Collection of Dr. Daniel S. Berger, © Kerry James Marshall. Image courtesy of the artist and Jack Shainman Gallery, New York

The Histories is organized into 11 groups of works made between 1980 and the present, inviting viewers through a thematic and stylistic journey. The exhibition opens with “The Academy,” painted in 2012. A male model in a life drawing class stands in front of a patterned backdrop and looks directly at the viewer, giving the iconic raised fist of the Black Power movement.

Marshall has long been guided by his early encounters with European art in museums and books, where he recognized a stark lack of Black figures. By the 1980s, he focused on the idea of visibility, creating the seminal piece “A Portrait of the Artist as a Shadow of His Former Self,” which emphasizes his interest in confronting stereotypes. […]

“Vignette #13” (2008), acrylic on PVC panel, 182.9 x 152.4 centimeters. Susan Manilow Collection. © Kerry James Marshall. Image courtesy of the artist and Jack Shainman Gallery, New York

“Untitled (Porch Deck)” (2014), acrylic on PVC panel, 180.3 x 149.9 centimeters. Kravis Collection, © Kerry James Marshall. Image courtesy of the artist and David Zwirner, London

More: More than 70 Iconic Works by Kerry James Marshall Shape a Major Survey in the U.K.