By Regina Sienra on October 10, 2024
It was an honest mistake.
Many artists have long found inspiration in contemporary, mundane objects. Much like Marcel Duchamp‘s upside-down urinal titled Fountain or Andy Warhol‘s Campbell’s Soup Cans paintings, the boundaries between art and item continue to be explored by artists. One of the latest to do so is Alexandre Lavet, whose realistic “beer cans” have been exhibited since 2016. Recently, these pieces were taken a bit too literally, and were accidentally thrown in the trash by a museum staff member.
The work, titled All the good times we spent together, was being exhibited at the LAM museum in the Netherlands. The piece looks like two empty and crushed beer cans that carelessly been left behind. However, upon closer inspection, they are actually tiny sculptures that have been meticulously hand-painted with acrylics.
“These paintings are a tribute to Brussels streets, artists’ studios, friends’ flats, parties, exhibition openings at galleries and artist-run spaces, and to this common and familiar object who brings people and friends together,” the artist’s website reads. “This packaging design coincides with the artist’s arrival in Brussels where he met new friends between 2013 and 2016. The can’s visual has been redesigned in 2017 and valuable friendships have been established from then on.”
Speaking to the museum’s vision of surprising their visitors, the beer cans had been placed in an elevator. However, a mechanic who works for the museum was surprised in a different way. Hoping to keep the place pristine, the staff member grabbed the beer cans and put them in the trash—almost getting rid of Lavet’s tribute to friendship and camaraderie for good.
Luckily, curator Elisah van den Bergh returned from a short break and noticed that the cans were no longer in their place. Concerned, she looked around, recovering them from a trash bag mere moments before they were about to be thrown out of the building. […]
More: Art Shaped as Beer Cans Mistaken for Trash & Thrown Out by Staff
October 10, 2024
Art
Kate Mothes
“Umuntu ngumuntu ngabantu” (2024), Serpentine North Garden. Photo by George Darrell. Image courtesy of Serpentine and The Melrose Gallery
For more than eight decades, Dr. Esther Mahlangu has been creating large-scale, site-specific works that draw on the artistic traditions of Ndebeleculture.
Known for her vibrant, patterned compositions, Mahlangu learned techniques for decorating houses from her mother and grandmother while growing up in South Africa. She mixes natural pigments with clay, soil, and cow dung to paint directly on the exteriors of structures in her village.
Photo by George Darrell.
Ndebele house painting emerged in the mid-18th century when the matrilineal tribe began to build huts out of mud rather than grass. Women applied colorful patterns to the walls to not only brighten the village but also communicate with others.
The geometric shapes, characterized by bold, black outlines, serve as a visual language to express personal values, prayers, or major life events.
Mahlangu paints by hand without using stencils or masking tape, employing chicken feathers and various brushes to create painstaking geometries that preserve a handmade quality. Over time, she has also created numerous works on canvas, using acrylic to broaden the range of hues in her work. […]
Photo by Clint Strydom, courtesy of The Melrose Gallery
More: A Vibrant Ndebele Mural by Esther Mahlangu Illuminates Unity at Serpentine North
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