Honey bees hauling pollen in slo-mo

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Close-up of a human molar tooth

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People said this experiment was impossible, so I tried it

The world’s first look inside a thermite reaction. Use code veritasium at https://incogni.com/veritasium to get an exclusive 60% off an annual Incogni plan.

A massive thank you to everyone at Goldschmidt for making this possible. With special thanks to Dr. Axel Hoeschen, Christof Gassmann and Claudia Koch.

00:00 What is thermite?
00:51 Hans Goldschmidt and the first thermite reaction
05:55 The reaction as it’s never been seen before
14:57 How thermite welding works
17:43 I destroyed a laptop!
26:44 How thermite is made
31:11 Blow-torching thermite to show how reactive it is

[…]

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How Long Does Fruitcake last?

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Artisanal Baker Reimagines Baroque Era Gowns as Elaborate Cakes | My Modern Met

By Emma Taggart on October 15, 2024

This baker is a sculptor, a fashion designer, and a culinary genius all in one!

The Baroque era style is known for dramatic silhouettes, luxurious fabrics, and opulent details. European aristocrats, in particular, used extravagant outfits to flaunt their wealth and status. Today, those extravagant styles have inspired Vietnam-based cake artist Nguyen Vu Hoang Anh of Mito Sweets to craft elaborate, dress-shaped cakes that look fit for royalty.

Celebrated as one of the best cake artists in Vietnam, Nguyen Vu is best known for shaping fondant into flowers, plant leaves, and even cartoon characters. But it’s his gown-inspired cakes that truly take his talent to the next level, showcasing his incredible attention to detail. […]

 

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WAVES — Visualizing sound through cymatics and resonant frequencies | Phenomena (4K)

Waves are all around us. As sound waves move through water and salt, they vibrate into geometric patterns that visualize the nature of waveforms.
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Uncovering the geometric nature of soundwaves. This is visualized by directing sound waves through water and salt. The water rests in an upright facing speaker, and the salt rests on a high frequency mechanical wave driver. When the devices are activated with specific frequencies, the water and salt particles vibrate in synchronization with the soundwaves, forming incredible geometric patterns.

Phenomena fuses art and science together to explore naturally occurring patterns, and the fundamental forces of nature that create them, to take us on an ambitious, innovative, and psychedelic journey through the fabric of the universe. Filmmaker Josef Gatti recreates nine ‘phenomena’ to produce mesmerizing art films, which are then paired with an original music score by Kim Moyes from Australian dance music duo The Presets. #PhenomenaTV

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CYMATICS: Science Vs. Music – Nigel Stanford

49,799,810 views 12 Nov 2014
► NEW VIDEO Automatica: http://nigelstanford.com/y/Cytext-Aut…
► Album, Apple Music, CDs & 4k Video: http://nigelstanford.com/y/Cytext-Cym…
► Spotify: http://NigelStanford.com/y/Spotify

Download in 4k / HD. All of the science experiments in the video are real. Watch behind the scenes and see how it was made.
http://nigelstanford.com/y/Cytext-Cym…

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Cymatics features audio visualized by science experiments – including the Chaldni Plate, Ruben’s Tube, Tesla Coil and Ferro Fluid.

[…]

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Why is English so weirdly different from other languages? | Aeon Essays

Death and the word; William conquers Harold and the English language. From Cotton Vitellius A XIII(1) f3v. Photo courtesy British Library

No, English isn’t uniquely vibrant or mighty or adaptable. But it really is weirder than pretty much every other language

English speakers know that their language is odd. So do people saddled with learning it non-natively. The oddity that we all perceive most readily is its spelling, which is indeed a nightmare. In countries where English isn’t spoken, there is no such thing as a ‘spelling bee’ competition. For a normal language, spelling at least pretends a basic correspondence to the way people pronounce the words. But English is not normal.

Spelling is a matter of writing, of course, whereas language is fundamentally about speaking. Speaking came long before writing, we speak much more, and all but a couple of hundred of the world’s thousands of languages are rarely or never written. Yet even in its spoken form, English is weird. It’s weird in ways that are easy to miss, especially since Anglophones in the United States and Britain are not exactly rabid to learn other languages. But our monolingual tendency leaves us like the proverbial fish not knowing that it is wet. Our language feels ‘normal’ only until you get a sense of what normal really is.

There is no other language, for example, that is close enough to English that we can get about half of what people are saying without training and the rest with only modest effort. German and Dutch are like that, as are Spanish and Portuguese, or Thai and Lao. The closest an Anglophone can get is with the obscure Northern European language called Frisian: if you know that tsiis is cheese and Frysk is Frisian, then it isn’t hard to figure out what this means: Brea, bûter, en griene tsiis is goed Ingelsk en goed Frysk. But that sentence is a cooked one, and overall, we tend to find that Frisian seems more like German, which it is.

We think it’s a nuisance that so many European languages assign gender to nouns for no reason, with French having female moons and male boats and such. But actually, it’s us who are odd: almost all European languages belong to one family – Indo-European – and of all of them, English is the only one that doesn’t assign genders that way.

More weirdness? OK. There is exactly one language on Earth whose present tense requires a special ending only in the third‑person singular. I’m writing in it. I talk, you talk, he/she talk–s – why just that? The present‑tense verbs of a normal language have either no endings or a bunch of different ones (Spanish: hablo, hablas, habla). And try naming another language where you have to slip do into sentences to negate or question something. Do you find that difficult? Unless you happen to be from Wales, Ireland or the north of France, probably.

Why is our language so eccentric? Just what is this thing we’re speaking, and what happened to make it this way?

English started out as, essentially, a kind of German. Old English is so unlike the modern version that it feels like a stretch to think of them as the same language at all. Hwæt, we gardena in geardagum þeodcyninga þrym gefrunon – does that really mean ‘So, we Spear-Danes have heard of the tribe-kings’ glory in days of yore’? Icelanders can still read similar stories written in the Old Norse ancestor of their language 1,000 years ago, and yet, to the untrained eye, Beowulf might as well be in Turkish.

The first thing that got us from there to here was the fact that, when the Angles, Saxons and Jutes (and also Frisians) brought their language to England, the island was already inhabited by people who spoke very different tongues. Their languages were Celtic ones, today represented by Welsh, Irish and Breton across the Channel in France. The Celts were subjugated but survived, and since there were only about 250,000 Germanic invaders – roughly the population of a modest burg such as Jersey City – very quickly most of the people speaking Old English were Celts.

Crucially, their languages were quite unlike English. For one thing, the verb came first (came first the verb). But also, they had an odd construction with the verb do: they used it to form a question, to make a sentence negative, and even just as a kind of seasoning before any verb. Do you walk? I do not walk. I do walk. That looks familiar now because the Celts started doing it in their rendition of English. But before that, such sentences would have seemed bizarre to an English speaker – as they would today in just about any language other than our own and the surviving Celtic ones. Notice how even to dwell upon this queer usage of do is to realise something odd in oneself, like being made aware that there is always a tongue in your mouth.[…]

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John McWhorter

is a professor of linguistics and American studies at Columbia University. His latest book is The Language Hoax (2014).

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Canterbury

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Obsession with Tiny Café

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