RedSamurai (@redsamurai.bsky.social) | Floating World🇯🇵 Nigatsudō Hall, Nara(奈良二月堂) Artist :🇯🇵Hasui Date :1934

Floating World🇯🇵Nigatsudō Hall, Nara(奈良二月堂)Artist :🇯🇵HasuiDate :1934Depicts the famous "Second Month Hall", a sub-temple of the Tōdai-ji complex perched on a hillside overlooking Nara. A solitary figure carries a glowing paper lantern near the illuminated wooden hall.

— RedSamurai (@redsamurai.bsky.social) 2026-09-06T09:48:43.384Z

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Space news: we just watched a decagon form at Saturn’s South Pole #space #astronomy #planet #science

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Nicole Carneiro, Brazil.H e t e r o t o p ia (@artsofexistence.bsky.social) | Nicole Carneiro, Brazil.

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Philadelphia Public Art @ philart.net (@philartdotnet.bsky.social) | Today’s random page is Content: Water

Today's random page is Content: Water http://www.philart.net/content/wate… #Philly #PublicArt #VisitPhilly #art (pictured: Gate at 23rd and Perot, unidentified artist and year)

— Philadelphia Public Art @ philart.net (@philartdotnet.bsky.social) 2026-09-05T14:07:10.743Z

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Paul Curtis Artwork (@paulcurtisartwork.bsky.social) | A walk through of the longest mural in the UK from end to end…

A walk through of the longest mural in the UK from end to end. Hopefully it gives you an idea of the scale. I had to speed ul the video to get it down to 2 mins!160m long. #wildlife #nature #bootle #mural #animals @guinnessworldrecords.com @seftoncouncil.bsky.social @networkrail.bsky.social

— Paul Curtis Artwork (@paulcurtisartwork.bsky.social) 2026-09-05T07:12:41.409Z

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Feeding time for tiny tortoise army

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Matt C. (@mattcatt.com) | I AM NOT A NUMBER! I AM A FREE MAN!!! 📸 Manchester – Mar24

I AM NOT A NUMBER!I AM A FREE MAN!!!📸 Manchester – Mar24#StreetArt #Mosaic #ClassicBritishTV #AlphabetChallenge #WeekIforIntegers

— Matt C. (@mattcatt.com) 2026-09-05T18:28:23.518Z

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Randy McDonald (@randyfmcdonald.bsky.social) | Figures in blue, red, and orange, 150 Carlton Street, Toronto

Figures in blue, red, and orange, 150 Carlton Street #toronto #carltonstreet #gardendistrict #publicart

— Randy McDonald (@randyfmcdonald.bsky.social) 2026-09-05T15:52:03.441Z

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Christopher Ryan (@ckryanco.bsky.social) | Urbanist #Minimal art for #BlueskyArtShow.

Urbanist #Minimal art for #BlueskyArtShow. #art #photography #blackandwhite #bnw #monochrome #model #modelphotography #coloradomodel #streetphotography #streetart #urbanart #dramatic #shapes #parkinggarage

— Christopher Ryan (@ckryanco.bsky.social) 2026-09-05T16:42:10.688Z

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Data centers

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Valrieksta svilpaunieks / Walnut Ocarina

14 Nov 2022

Here’s an English translation of the on-screen Latvian instructions. Translation was worked out with Google Lens, Google Translate, and ChatGPT for a couple of the more confusing words. (The piece of wooden stick he used for the mouthpiece translated to ‘splinter’ and ‘dowel’. I just went with dowel.)

0:22 With a pencil, you need to mark the outline of the whistle, a square of 5×5 mm.

0:35 Mark the centers of 4 holes, with an interval of around 2.5 cm.

0:50 The walnut must be opened carefully, without damaging the shell.

1:20 The partitions should be cut out, the core of the nut should be removed and the inside of the shell should be cleaned.

1:45 A hole with a diameter of 4 mm should be drilled for the whistle.

1:55 Drill the side holes with a 1.5 mm drill bit.

2:20 The second hole can be enlarged to 2.5 mm, the fourth hole to 3.5 mm.

2:32 The whistle hole is widened with a file, grinding it into a square shape.

3:03 The whistle hole must be sharpened.

3:20 The mouthpiece can be made from a dry wooden dowel with a diameter around 10mm.

3:30 A hole with a diameter of 4mm will be drilled in it.

3:40 Cut a section 1 – 1.5 cm long

3:55 With a round file the mouthpiece must be ground inside.

4:07 To attach the mouthpiece, the edge must be cut diagonally.

4:35 The joint plane is sanded with sandpaper.

5:05 For the attachment of the mouthpiece, the connection plane is also formed in the upper part of the whistler.

5:53 Sand the edges of the mouthpiece.

6:10 Expand the air channel with a flat file.

6:48 The shells are glued together with moisture resistant glue.

7:33 The mouthpiece is glued to the whistle, precisely targeting the direction of the sharpened edge of the air channel.

8:12 The whistle is tuned by increasing the holes.

8:26 The fundamental tone can be raised by enlarging the whistle hole.

8:58 The tones of the whistler sound in sequence, comparing each next one with the previous sound.

9:15 Fine tuning takes time and patience.

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This Is What Cigarettes Replaced!

20 Jun 2026
Lothar Heim runs the last traditional clay pipe workshop in Hilgert and the entire Kannenbäckerland region of the Westerwald, where pipe making was once a major trade alongside the area’s well known salt glazed stoneware. This video follows the full process from start to finish, beginning with the preparation of pipe clay in the cellar, where raw clay is soaked, mixed by hand, and run through a clay mill to form thick rolls. These rolls are later extruded into thin clay rods on a press, then cut into portions and shaped using two part metal molds, tampers, and bore wires, the same methods used in the trade for generations.
The video also shows the more demanding hand rolling technique, still practiced by Heim’s 80 year old mother, used for pipes with stems too long for the press. You will see how pilgrimage pipes, Saint Nicholas pipes, socket pipes known as Jacob’s pipes, and clay cuckoo whistle figures were made, cleaned, and prepared for drying. Each step, from cutting and trimming to smoothing and boring, is done with tools and techniques that have changed little since the craft began in the region.

Original source material:
Die Tonpfeifenbäckerei. Teil 1: Zubereiten des Pfeifentons und Ausformen der Ware
Published by Alltagskulturen im Rheinland
© LVR-Institut für Landeskunde und Regionalgeschichte
CC BY 4.0

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